"Count Richard Cándida Smith among the best of those scholars doing transnational history. Improvised Continent is a brilliant investigation of U.S. and Latin American intellectuals and artists who formed networks that the United States used for its cultural diplomacy. But as Cándida Smith deftly shows, there was an irony in cultural imperialism, as these intellectuals and artists served not only to teach U.S. audiences about the rest of the Americas. They also served as critics of American society and offered up a distinctly robust liberalism rooted in the utopia of pan-Americanism."
—Andrew Hartman, author of A War for the Soul of America: A History of the Culture Wars
"Poets, painters, policymakers, and others wrestle over pan-American hopes and disappointments in Richard Cándida Smith's illuminating and thoughtful work. Spanning the twentieth century, and ranging across diverse sources in four languages, Improvised Continent brings new cultural and intellectual depth to the history of Latin American and U.S. relations."
—Brooke L. Blower, Boston University
Pan-Americanism and Cultural Exchange
Symbolism and the Renewal of Experience
Elizabeth Cady Stanton
Feminist as Thinker:
A Reader in Essays and Documents
The Modern Moves West: California Artists and Democratic Culture in the Twentieth Century
Utopia and Dissent:
Art, Poetry, and Politics
Circuitos de Subjectividade:
o Acervo e as Artes
Art and the Performance of Memory: Sounds and Gestures of Recollection (hardcover ed., Routledge)
Text and Image: Art and the Performance of Memory (paperback ed., Transition)
Review of Utopia and Dissent
This is a book to seek out, if one is at all interested in contemporary art and poetry, in the history of the counterculture, or in the origins of today's culture wars.
—J. F. Roche, Choice